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Antelope Audio Goliath HD

Antelope Audio

  • $9,195.00


GOLIATH HD ** PRE-ORDER**

HDX, Thunderbolt2 ™, USB 3.0 & MADI Audio Interface

 

EXPLORE THE FULL LINE OF FPGA REAL-TIME VINTAGE AFX

Needless to say Goliath HD is armed with the full Antelope Audio arsenal of hardware-based FPGA FX. These inclued the most authentic and realistic zero latency Vintage EQs, Compressors and guitar amp & cabinet models on the market. Use them for real time tracking or mixing and easily save presets with your favorite setups. Those can be easily recalled or shared with other studio facilities, which are also part of the global Antelope Audio family.

 

Goliath HD comes with full yet ever expanding list of Antelope Vintage FX models:

 

  • EQUALIZER LEGENDS: VEQ-STU 089, VEQ-STU 169, VEQ-STU 900, VEQ HA32C, BAE 1023, BAE 1084, NEU-W492, NEU-W495, VEQ-4K Black, VEQ-4k Brown, VEQ-4K Pink, VEQ-4K Orange, BAE-1073, VEQ-HLF, VEQ – 1A, VMEQ-5, LANG PEQ2, VEQ-55A, UK-69, NEU-PEV, INTEGRATED EQ
  • VINTAGE COMPRESSORS: X160, Tube176, X903, Gyratec X, Grove Hill Liverpool, ANTELOPE FEEDFORWARD COMPRESSOR, FET-A76
  • AURAVERB™:New Reverb Leveraging Unique Algorithms and Proprietary FPGA Chip for “Smooth and Clear” Sound
  • THE GUITAR CLASSICS:

Cabinets: Darkface 65 2x12, Top30 2x12, Green 2x12, Vintage 4x12, Green 4x12, Caliper50 1x10, Clst 1x12, England4x12, Modern 4x12, Bluelux 1x12.

 

Guitar Amps: Darkface 65 US, Top32 UK, Modern US, Plexi 59 UK, Rock 22.10 UK, Rock 75 UK, Marcus II US, Tweed, Deluxe US, Overange 120 UK, BurnSphere DE.

Mics: California121 Ribbon, Austria Gold 414, American57, German FET87.

 

Key Product Features:

  • Integrated Real-Time Effects: EQs, Compressors, Reverb, Guitar Amps & Cabinets
  • Proprietary FPGA with massive modeling capabilities
  • HDX, USB 3.0, Thunderbolt Gen2 & MADI connectivity
  • Antelope Audio renowned clocking and enhanced conversion
  • Proprietary HDX Delay Compensation
  • 16 Accusonic mic preamps with phantom power, dedicated knobs & level meters
  • 16 Line Inputs on two D-SUB 25
  • 32 Line Outputs on four D-SUB 25
  • Two premium Re-amp outputs
  • Mastering grade monitor outputs with 132 dB dynamic range
  • Two independently assignable headphone outputs
  • AES, MADI, ADAT and S/PDIF connectivity
  • Talkback functionality
  • Redesigned front panel with enhanced monitor & level indicators
  • Multifunctional touch screen display

 

ALL YOUR HD SETUPS BELONG TO GOLIATH

64 channels of audio now via HDX & USB 3.0

Goliath HD is a 64-Channel interface that can be used with Pro Tools HD or Native DAWs via second generation ThunderboltTM, USB 3.0 or via 2 MADI connections, which are compatible with MADI to Dante Bridge products. Coming with extensive I/O options, featuring 16 Accusonic mic preamps with individual volume controls, 32 analog ins with 124dB of Dynamic Range, 32 analog outs with 129dB of Dynamic Range, plus mastering grade monitor outputs, featuring new technology that boosts dynamic range to a spectacular 132dB.

Goliath HD comes with 8 instrument inputs, 2 transformer re-amp outs, integrated Talkback mic, 2 headphone outs and a pair of analog inserts. And if this wasn’t enough, the descendant of the mighty Goliath offers also AES, MADI, ADAT and S/PDIF connectivity.

 

LEAVE LATENCY BEHIND

Revolutionize your Pro Tools HD workflow

With Antelope’s proprietary HDX Delay Compensation, any analog or digital input can arrive in Pro Tools HD sample accurately in the timeline. No other interface on the market offer this level of perfect integration for digital sources to Pro Tools HD software.

The Antelope Audio Real-time FX, zero latency independent software mixers and routing matrix with two alternative views are the perfect compliment to Pro Tools HD studios, which have come to expect maximum power at their disposal. Goliath HD, however, is compatible with any DAW on the market making the device the heart and soul of the highest tier audio facilities around the world. Our newly introduced full Session Presets are the perfect match for the complex and large-scale setups and projects Goliath HD was designed to handle.

 

HD STUDIO CENTERPIECE

Work on complex projects and multiple DAWs with Goliath HD

By offering both HD and USB3 modes, engineers can now accommodate producers and their laptop projects and integrate them into their existing HD setups by easily switching between HD and our low latency ThunderboltTM and new USB3 modes.

Goliath HD guarantees quiet operation even in the most demanding control rooms. Don’t be surprised if soon expensive machine rooms become a thing of the past.

 

CLOCK IT LIKE IT’S HOT

The key to top sound is the Antelope Audio clocking

Another reason why Goliath HD sounds like no other interface on the market is because of the world-renowned Antelope Audio Acoustically Focused Clocking (AFC) jitter management technologies it features. With over 20 years of history in digital clocking behind us, we backed the Goliath HD up with all OCX HD and Trinity sounding audio clocking.

This unbeatable sonic detail and precision, combined with analog authenticity will bring your sound to the realms of hi-end audio. Now you can also spread this perfection across your whole studio as BNC connectors are available for use as Loop Sync, standard Word Clock I/O and the Antelope Audio 10M atomic input.

 

ALL THE CONTROL YOU NEED

Goliath HD comes with a revised Touchscreen display and enhanced front panel

Goliath HD features a redesigned front panel. With enhanced monitor and level indicators, the responsive Touchscreen offers multichannel metering, easy access to preferences, presets, and clocking modes for HD or Native interfacing. And if this wasn’t enough, the Goliath HD dedicated Android & iOS compatible mobile app will allow you to turn your smartphone or tablet into a powerful audio interface remote control.

TECHNICAL SPECIFICATIONS

Multi-Channel Studio Interface

Connectivity

Digital Inputs

2x Adat (up to 16 Channels)

1x S/PDIF

1x AES/EBU (8 Channels)

2x MADI

 

Digital Outputs

 

2x ADAT (up to 16 Channels)

1x S/PDIF

1x AES/EBU

2x MADI

 

Interface Connectivity

USB 3.0 Super-Speed Type B

1x Thunderbolt Gen 2

2x mini HDX connectors for direct pro tools connections, 32 Channels I/O each

Analog Inputs

2x DB25 (16 channels total)

16x Mic/Line on XLR combos

4x Hi-Z 1/4" TRS

2x Inserts on 1/4" TRS (dedicated for inputs 1,2)

Analog Outputs

4x DB25 (32 channels total)

1x Stereo pair of Monitor outs on 1/4" TRS

2x Stereo Headphone outs on 1/4" TRS

2x ReAmp outs on 1/4" TRS

 

Mic Preamps

Gain: 0,10-65 dB

THD + N: -112 dB

Clocking

Clock Inputs 1x Word Clock Input BNC
Atomic Clock Input 1x 10M Input @ 75 Ohms
Clock Outputs 2x Word Clock Outputs BNC

 

Clocking System

4th Generation Acoustically Focused Clocking

64-bit DDS

Oven Controlled Crystal Oscillator

Sample Rates 32kHz, 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz

 

Clock Aging < 1 ppm per year
Clock Calibration

< +/- 0.001ppm

 

Conversion

 A/D

Dynamic Range: 124 dB

THD +N : -112dB

D/A

Dynamic Range: 129 dB

THD + N -120dB

Monitoring D/A

Dynamic Range: 132 dB

THD + N: - 108 dB

 

Dimensions

Dimensions (Aprox) 483mm x 81mm x 279mm (19" x 3.2" x11")
Weight 6.8 kg (15lbs)

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